Opera seria in two acts by Dmitrij Bortnianskyi

Venice 1776

Creonte was Bortnianskyi's first performed opera. He used an abridged version of an Antigona text that Marco Coltellini had written for the Russian court in 1771 as the libretto. Creonte received its premiere in 1776 and several further performances at the St. Benedetto Theater in Venice; after Bortnianskyi's return to St. Petersburg, only a few individual arias are likely to have been performed in private concerts.
After the composer's death, the score of the opera was given to the Capella library by his widow, where it was lost in the course of the 19th century. The work was considered lost until a complete copy of the score was discovered in Lisbon by the cellist and musicologist Pavel Serbin (member of Orchester Wiener Akademie). He is now also preparing the performance material for the modern premiere of the work in a staged production. CREONTE is the first completely preserved opera by a Ukrainian composer. Its revival adds a significant work to our knowledge of 18th century music.


 


 

ROLES
Creonte        tenor
Emone         altus
Adrasto        altus
Antigona       soprano
Ismene         soprano
 
ORCHESTRA
2 oboes, 1 bassoon, 2 horns, 2 trumpets, timpani, cembalo, strings (6/5/4/3/2)
Choir (16 singers)