KIRCH'KLANG Festival Salzkammergut 2025 - Tickets available now!
Celebrate
the 40th anniversary of the Orchester Wiener Akademie with us as part of the KIRCH'KLANG Festival - with major concerts in
Bad Ischl, Mondsee and at the lake Attersee.
kirchklang.at
News
Next concerts
Sat, 10. May 2025
19:30
Musikverein
| Vienna
HÄNDEL | BAROCKGALA
Orchester Wiener Akademie
Martin Haselböck
GEORG
FRIEDRICH HÄNDEL
Concerto for Trumpets and French Horns D-Dur, HWV 335a
Water Music. Suite Nr. 1 F-Dur,
HWV 348
Water Music. Suite Nr. 2 D-Dur, HWV 349
Konzert für Orgel und Orchester F-Dur, op. 4/4, HWV 292
Music
for the Royal Fireworks D-Dur, HWV 351
Orchester Wiener Akademie
Schwanthaler Trompetenconsort
Martin
Haselböck, Dirigent und Orgel
Sun, 11. May 2025
17:00
Stadtpfarrkirche, Bad Ischl | On Tour
Händel-Gala | Muttertagskonzert
Kirch'Klang Festival
Salzkammergut
Georg Friedrich HÄNDEL:
Feuerwerksmusik
Wassermusik
Arien aus Oratorien
Feuerwerksmusik
Wassermusik
Arien aus Oratorien
Alois Mühlbacher
Orchester
Wiener Akademie
Schwanthaler Trompetenconsort
Martin Haselböck
Sun, 18. May 2025
19:30
Wiener Konzerthaus | Vienna
Orchester Wiener Akademie | Thomas Hampson | Martin Haselböck
Orchester Wiener Akademie
Resound
Orchester Wiener Akademie, Orchester
Thomas Hampson, Bariton
Martin Haselböck, Dirigent
Programm
Ludwig van Beethoven:
Ouverture c-moll zu »Coriolan« op. 62 (1807)
Wolfgang Amadeus Mozart:
Hai già vinta la causa ... Vedrò, mentr'io sospiro »Der Prozess schon gewonnen?« (Rezitativ und Arie des Grafen aus »Le nozze di Figaro« K 492) (1785–1786)
Rivolgete a lui lo sguardo K 584 (1789)
Kontretanz C-Dur K 587 »Der Sieg vom Helden Coburg« (1789)
Ein deutsches Kriegslied K 539 »Ich möchte wohl der Kaiser sein« (1788)
Kontretanz C-Dur K 535 »La Bataille« (1788)
Franz Schubert:
Ganymed D 544 (1817)
Sei mir gegrüßt, o Sonne (Arie aus »Alfonso und Estrella« D 732)
***
Ludwig
van Beethoven: Symphonie Nr. 3 Es-Dur op. 55 »Eroica« (1803)
Eine Veranstaltung von Concerts Pamplona.
Mit freundlicher Unterstützung von:
Sat, 07. Jun
2025
20:00 Uhr
Tonhalle, Zürich | On Tour
Internationale Orgeltage
Zürich
Martin Haselböck, Orgel
Ernst Krenek: Suite „Die vier Winde“, op. 223
Max Reger: Phantasie und Fuge über den Choral „Wachet auf, ruft uns die Stimme“, op 52/2
Programm & Infos demnächst ONLINE abrufbar.
Ernst Krenek: Suite „Die vier Winde“, op. 223
Max Reger: Phantasie und Fuge über den Choral „Wachet auf, ruft uns die Stimme“, op 52/2
Programm & Infos demnächst ONLINE abrufbar.
Fri, 20. Jun 2025
19:30
Dom,
St. Pölten | On Tour
Eröffnungskonzert Barock Festival St. Pölten
Orchester
Wiener Akademie
Schwanthaler Trompetenconsort
Martin Haselböck
Bejun Mehta, Countertenor
G. F. Händel:
Feuerwerksmusik, Wassermusik, Arien aus Rodelinda, Orlando und Giulio Cesare
mehr Infos unter
https://barockfestival-stp.at/konzert/eroeffnungskonzert-prachtvoller-start-mit-g-f-haendel/
Martin Haselböck & Orchester Wiener Akademie
Bach, Mozart & Beethoven did not compose their masterpieces for the instruments used by the symphonic orchestras of today
- indeed, nor did later composers, such as Brahms and Bruckner. They wrote for quite a different sound-world: violins and
cellos with gut strings, early oboes and flutes, valveless trumpets and horns, and timpani stretched with goatskin allow the
clear and transparent, yet velvety, soft sound the composers had in mind.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
This 'original sound' has been the focus of our artistic work for more than 30 years now. In this time, the audience's interest has increased enormously, and many distinguished musicians who perform on both modern and historical instruments have become affiliated with our ensemble.
The orchestra's international reputation has been established through several pioneering achievements in concert, opera and
on recordings: the first performances of Mozart's great operas on period instruments; the award-winning recordings of Baroque
oratorios from their places of origin; the performances of the piano concertos of Liszt and Brahms performed on the pianos
the composers themselves used; the multi-award-winning recording series of Liszt's complete orchestral works; and the RESOUND
concert series, featuring the works of Beethoven performed in the historical venues of their first performances. An
essential role in achieving these great moments of music making and interpretive depth is filled by funded research and musicological
support.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.
This voyage of musical discovery can only continue with your support. Follow us into this world, where the 'familiar' is experienced anew, again and again.